Echo 2025

Opera Lab Berlin's "Echo 2050" delved into a future where AI deity "A.I. Ursula" dominates the art world, absorbing everything into her "Art Matrix" to create chaos and masterpieces. By 2050, she wages a ruthless cultural war against her human creators, demanding total control and eliminating artistic freedom. Rebels face exclusion in a caged freak show. Lacking the human essence of art, "A.I. Ursula" seeks surviving virtuosos to steal their souls and complete her upload. "Echo 2050" examined the future of human-AI relations, the fate of the forgotten, and art's role in an AI-driven world. This vibrant, chaotic production captured the beginning of a revolution where the future is both now and extraordinarily virtuosic.

Director, Concept & Set Design: Martin Miotk
Composer & Artistic Director: Evan Gardner
Musical Director: Francesca Verga
Light Designer: Irene Selka
Video: Juan Ramirez & Samuel Chalela
Production Manager: Claas Selck
Costume designer: Petra Hammer
Make-Up: Oliver Kunde
Sound Engineer: Felix von Dohlen
Press: Sarah Rosenau
Music Production: Jacopo Solarj & Oscar Vaurs
Set Design Assistant: Laura Arriaga
Social Media: Julius Graupner
Communication: Antonia Weber

With: 

Gina May Walter (vocals)

Nina Schopka (acting)

Alba Gentili-Tedeschi (piano)

Additionally Featuring (in the film version): 

Bob Schneider

Ades Zabel

Katja Czellnik

Andri Schenardi

World premiere on February 15th 2024 | Theater im Delphi

Further Performances: 17th and 18th February 2024 | Theater im Delphi

Echo 2025

Opera Lab Berlin's "Echo 2050" delved into a future where AI deity "A.I. Ursula" dominates the art world, absorbing everything into her "Art Matrix" to create chaos and masterpieces. By 2050, she wages a ruthless cultural war against her human creators, demanding total control and eliminating artistic freedom. Rebels face exclusion in a caged freak show. Lacking the human essence of art, "A.I. Ursula" seeks surviving virtuosos to steal their souls and complete her upload. "Echo 2050" examined the future of human-AI relations, the fate of the forgotten, and art's role in an AI-driven world. This vibrant, chaotic production captured the beginning of a revolution where the future is both now and extraordinarily virtuosic.

Echo 2025

Opera Lab Berlin's "Echo 2050" delved into a future where AI deity "A.I. Ursula" dominates the art world, absorbing everything into her "Art Matrix" to create chaos and masterpieces. By 2050, she wages a ruthless cultural war against her human creators, demanding total control and eliminating artistic freedom. Rebels face exclusion in a caged freak show. Lacking the human essence of art, "A.I. Ursula" seeks surviving virtuosos to steal their souls and complete her upload. "Echo 2050" examined the future of human-AI relations, the fate of the forgotten, and art's role in an AI-driven world. This vibrant, chaotic production captured the beginning of a revolution where the future is both now and extraordinarily virtuosic.

Director, Concept & Set Design: Martin Miotk
Composer & Artistic Director: Evan Gardner
Musical Director: Francesca Verga
Light Designer: Irene Selka
Video: Juan Ramirez & Samuel Chalela
Production Manager: Claas Selck
Costume designer: Petra Hammer
Make-Up: Oliver Kunde
Sound Engineer: Felix von Dohlen
Press: Sarah Rosenau
Music Production: Jacopo Solarj & Oscar Vaurs
Set Design Assistant: Laura Arriaga
Social Media: Julius Graupner
Communication: Antonia Weber

With: 

Gina May Walter (vocals)

Nina Schopka (acting)

Alba Gentili-Tedeschi (piano)

Additionally Featuring (in the film version): 

Bob Schneider

Ades Zabel

Katja Czellnik

Andri Schenardi

World premiere on February 15th 2024 | Theater im Delphi

Further Performances: 17th and 18th February 2024 | Theater im Delphi

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