The everyday life: countless small routines, which unpredictably unwind again and again. From the morning tooth brushing and toilet visit through to bed-time mode at night, we move inevitably through each and every day. But what becomes of our rituals if we put them under the lens? In WIR AUS GLAS, such routines are emphasised and distorted by the composer Yasutaki Inamori through instrumental soundscapes. The everyday lives of different people are subjected to microscopic examination: we follow six inhabitants of a city over a period of one week, considering their consistent daily activities, and enlarging through observation all their peculiarities; what changes, what stops, what gets out of step, and what indeed cannot get out of step. This results in a mosaic of diverse little excerpts of life; a reflection on relationship between the public and the private, and the difficulty of finding a balance between the two.
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The everyday life: countless small routines, which unpredictably unwind again and again. From the morning tooth brushing and toilet visit through to bed-time mode at night, we move inevitably through each and every day. But what becomes of our rituals if we put them under the lens? In WIR AUS GLAS, such routines are emphasised and distorted by the composer Yasutaki Inamori through instrumental soundscapes. The everyday lives of different people are subjected to microscopic examination: we follow six inhabitants of a city over a period of one week, considering their consistent daily activities, and enlarging through observation all their peculiarities; what changes, what stops, what gets out of step, and what indeed cannot get out of step. This results in a mosaic of diverse little excerpts of life; a reflection on relationship between the public and the private, and the difficulty of finding a balance between the two.
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Composer, concept: Yasutaki Inamori
Libretto, concept: Gerhild Steinbuch
Director: David Hermann
Stage: Jo Schramm
Costume: You-Jin Seo
Dramaturgue: Dorothea Hartmann
Musical Study: Elda Laro
Blond woman: Michelle Daly
Brunette woman: Alexandra Hutton
Old man: Clemens Bieber
Young man: Thomas Florio
Sad man: Steffen Scheumann
Choir: Magdalena Motyl, Ludwig Obst, Eduardo Rojas, Anna Schors, Natalia Nesterenko, Ena Pongrac
Musicians (Opera Lab Berlin): Louise Leverd (Cello), Florian Bensch (Fagot), Mia Bodet (Violin), Kelsey Maiorano (Oboe), Callum G'Froerer (Trumpet), Jack Adler-McKean (Tuba, Trombone)
Photos © Eike Walkenhorst
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